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  • Originally a farmhouse dating from 1842, hosts Amanda and Chris recently renovated their historic Airbnb Plus home with the help of the @aphrochic design duo. What did they learn during the renovation? Simple swaps maximized the space, while pieces from nearby shops and artists celebrate Hudson's small town vibe.

Tap through our Instagram Story to see the transformation and learn how to incorporate these design tips into your own home.

Photo: @nicole_franzen
  • Warmed by handmade touches and found treasures, this 1959 trailer puts just the right amount of comfort between you and the desert. After a day of hiking the Bartlett mountain trails, connect with fellow travelers over pizza from the shared outdoor wood-burning oven.

Photo: @silviekubesova
  • Superhosts Kitty and Michael’s mushroom-shaped cabin seems to have sprung up naturally from the forest floor. Hike through the redwoods, hit the beach, or just kick back and watch the action at the “hummingbird airport”—the feeding station that welcomes hundreds of arriving flights every day.

Photo: @kaiyuemiao
  • This posh take on a shepherd’s hut puts the whole Lake District at your feet—and sometimes comes with homemade cheddar scones. But it raises some tough questions, too, like which scenic footpath to follow first and which award-winning pub to visit afterward. Sophie, your Superhost, is happy to help. ⁣
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Photo: @wild_sheep
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Hawaii Surf

It was an epic journey and we enjoyed every minute.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

I have given no small attention to that not unvexed subject, the skin of the whale. I have had controversies about it with experienced whalemen afloat, and learned naturalists ashore. My original opinion remains unchanged; but it is only an opinion.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

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