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  • Superhost Rodolfo, his two feline assistants, and a very welcoming vibe can make this colorful rainforest guesthouse hard to leave. But at least once during your stay, be sure to make your way to Lagoa de Guaraíras, a tranquil lagoon surrounded by mangroves and dunes, in time for sunset.

Photo: @casadascorespipa
  • The story of Casa Josefa starts in the 1920’s when this #AirbnbPlus home was originally built. Later, an artist and designer renovated it with a hand-painted mural, modern art, and details that reflect the French influence of the surrounding neighborhood of Roma Norte. You can talk a walk to Parque Mexico for a morning empanada, or escape the city in the calm of the greenery-draped terrace. And if the banana trees of this reading room aren’t enough nature, there’s always the outdoor shower.

Click the link in our bio to see more #AirbnbPlus homes verified in person for quality and design.
  • Glamp hard at Austin and Esther’s well-equipped tent in the wilderness. After a day of exploring the trails and chasms of Zion National Park, cook dinner on your wood-burning stove and settle in to watch the stars come out. Out here, they all do.

Photo: @thevdream
  • When your house has 16 bathrooms, the master bath should be pretty special. Then again, every room of Olivia’s sprawling villa is a showcase of minimalist yet welcoming design. Hit the beach in your front yard or explore the mangrove-covered islands of Los Haitises National Park.

Photo: @deeptisataluri

Hawaii Surf

It was an epic journey and we enjoyed every minute.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

I have given no small attention to that not unvexed subject, the skin of the whale. I have had controversies about it with experienced whalemen afloat, and learned naturalists ashore. My original opinion remains unchanged; but it is only an opinion.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

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