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  • Kyra’s warehouse loft in the heart of St. Peters is a source of inspiration for guests (especially if your best thoughts come in the shower). On the inside, this light-filled artist residence has a clawfoot tub and vintage chandelier—but on the outside, it's within walking distance of funky King Street in Newtown and the famous Grounds of Alexandria, a coffee shop with its own petting zoo.
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Photo: @boudist
  • “Understanding the real Cuba can be difficult for visitors,” says Oscar, a University of Havana professor. That’s why he and his friends love taking guests on a journey into daily Habanero life. You’ll skip the tourist hotspots and discover the city by public bus, stopping for markets and shops and ice cream along the way.
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Click the link in our bio for more #AirbnbExperiences that  bring you closer to local life.
  • The funicular ride up to the Montserrat Monastery may be spectacular, but local geologist Ricard wants to take you higher. After a second ride further up the mountain, you’ll hike through the wilderness to discover some of the area’s less-visited but equally awe-inspiring spaces.
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Click the link in our bio for other elevated #AirbnbExperiences.
  • The rugged Italian Riviera coastline, known as the Cinque Terre region, is known for colorful houses that cling to the cliffs. If you’re lucky enough to stay in one like this apartment in Riomaggiore, you’ll never want to leave its front row views of the Ligurian Sea—so it’s a good thing you can pick up fresh pasta to-go from Primo Piatto and enjoy it with the setting sun.
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Photo: @mltfoto

Hawaii Surf

It was an epic journey and we enjoyed every minute.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

I have given no small attention to that not unvexed subject, the skin of the whale. I have had controversies about it with experienced whalemen afloat, and learned naturalists ashore. My original opinion remains unchanged; but it is only an opinion.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

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