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  • Sara in San Diego was the very first Superhost. She has been a host since 2008 and has learned a lot about making guests feel comfortable—like leaving cold brew in the fridge and child-proofing her home for families when they come to stay.
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"I love hosting even more than I expected. With people coming from all over the world to stay at my house, it feels like traveling without having to leave my own home."
  • Kitty is one of the longest-standing Airbnb Superhosts. Since 2009, she's been welcoming guests to experience her unique mushroom dome cabin in Aptos, California. What guests seem to appreciate the most, besides the 400 hummingbirds that can be found buzzing around her 10-acre property, is getting to know Kitty and her dog, Elliot.
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“I have met so many wonderful people from around the world that I would never have met if I hadn't had this opportunity with Airbnb.”
  • Toni is a Superhost in Athens, Greece who has hosted guests from 93 different countries this year alone. People come from all over the world to stay with Toni and be five minutes away from the ancient Acropolis Hill. What they don't expect is being able to grab a bite to eat at a restaurant owned by his mamá.
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"My home is our home. It’s very important to be dedicated to what we do."
  • Trending destination 16: Uzbekistan.

Architectural wonders like the Registan, the heart of the ancient Silk Road city of Samarkand, only partly explain the fast-rising attraction to Uzbekistan. Improved transportation has made it easier to explore the country in full, from the mosques of Bukhara to Tashkent’s bazaar to the waterfalls of Gulkam Canyon.

Our trending destinations for 2019 were selected based on search, booking and wish list data —click the link in our bio to see the other trending locations for next year.

Hawaii Surf

It was an epic journey and we enjoyed every minute.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

I have given no small attention to that not unvexed subject, the skin of the whale. I have had controversies about it with experienced whalemen afloat, and learned naturalists ashore. My original opinion remains unchanged; but it is only an opinion.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

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