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  • The Musée d’Orsay is just around the corner, and the Louvre is just across the Seine, but this artist’s flat full of your host’s sketchbooks and work reminds you that art is a living, breathing thing. The creativity doesn’t have to stop at mealtime, either: walk a few blocks to Au 35 for inventive takes on classic cuisine.

Photo: @afinereye
  • You’ll feel the serenity of this riad as soon as you duck in from the hustle and bustle of Marrakech’s souks. This oasis is within walking distance of the Medersa Ben Youssef and plenty of food options, but it might be just as tempting to stay by the pool and let your Superhost, Alice, prepare your meal. As an added bonus, Bowie the friendly cat will be happy to give you company.

Photo: @leriadyasmine
  • Superhost Liz has updated her A-frame near Mt. Hood to maintain a perfect balance between rustic and chic. The cabin also gives you a couple of different ways to have fun with gravity: hang out in a cozy suspended chair or plummet down the renowned mountain biking trails of nearby Post Canyon.

Photo: @redaframe
  • Slow down and reconnect with nature at a three-story cabin on 17 acres of rain forest. After a day on the pristine beach at Broken Head (a couple of minutes away), soak in your stone bathtub overlooking the garden. Watch for Bodhi, the bright green free-flying parrot who likes to keep an eye on the property.

Photo: @jefflevingston

Hawaii Surf

It was an epic journey and we enjoyed every minute.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit.

I have given no small attention to that not unvexed subject, the skin of the whale. I have had controversies about it with experienced whalemen afloat, and learned naturalists ashore. My original opinion remains unchanged; but it is only an opinion.

Nor does this – its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

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